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[Museum] Investigar e Compreender o Património

Subject :   [Museum] Investigar e Compreender o Património
From :   Maria Isabel Tristany <mty.mty@outlook.pt>
Date :   Fri, 27 Mar 2015 16:42:36 +0000


Alguns Colegas pediram que facultasse algum texto onde estivesse mais desenvolvida a questão que coloquei na mensagem “A Polissemia do Património” (Lista Museum n.º 13153, 13/03/2015).

Fiel ao desígnio de privilegiar a partilha e o diálogo público das ideias, abrindo as portas que a WWW nos proporcionou nestes breves anos de passagem do séc. XX para o séc. XXI - (e antes que definitivamente as fechem ou vigiem censoriamente, como está a ocorrer a uma velocidade cada vez maior, um pouco por todo o lado) – junto o Resumo (Abstract) do referido texto, que poderá ser encontrado na Biblioteca da Faculdade de Letras da Universidade de Lisboa, e que julgo já estar disponível na Biblioteca Nacional: - Pedro Manuel-Cardoso, 2011, “A Cultura perante o Património”, Pós-Doutoramento em Cultura e Comunicação, Faculdade de Letras da Universidade de Lisboa, Lisboa). No qual agradeço ao Professor Manuel Frias Martins, diretor do Programa Cultura e Comunicação (FLUL), “… por incentivar a procura no território daquilo que ainda é problema ou está no limite do que é possível definir e dizer.” (Pedro Manuel-Cardoso).

Trabalho que tem por Epígrafe parte do poema da antropóloga, coreógrafa, art performer e artista Maria Isabel Tristany. “(…) quem nos dera inenarráveis, inumeráveis…” (Maria Isabel Tristany), que usei como uma espécie de escatologia do fenómeno patrimonial.

 

ABSTRACT

Keywords: Culture, Communication, Evolution, Heritage, Museology, Memory, Relevance.

 

“Where one person sees in an object evidence of a military victory, another person sees in the same object a criminal act of colonialism; where someone sees in an object the positive side, another person sees the negative side. The object is at the same time the front and the back, the statement and the negation, the reminder of something and the oblivion of another part. More so than in other areas, before a heritage object it is hard to find a full answer to the questions: “What is it that I am seeing? How, within me, and by which part of me, am I seeing it? What have I always seen from what I am seeing, and what may I not have seen yet? What has this seeing not allowed me to see? What is the responsibility in the communication it is made of it to the community?”

The problem of a heritage object lies in the fact that it takes on various meanings, and that it is always beyond the empirical evidence and the positivism of the context where it is found. The plurisignificant nature of Heritage and the need to constantly solve this problem in the communicational acts that are the expographies, these are the challenges which culture faces and which turned out to be the starting point of this project.

This starting problem is connected with a very ancient debate to which Junqua & Lacouture made a recent contribution regarding the heritage of gestures, when they stated that “The error of empiricism is to believe that verified facts already contain the explanation of the phenomenon. Exactly its opposite, it is necessary to find it.” (Junqua & Lacouture, 2001, p.9). Before them, Karl Popper had claimed that “the root of that problem lies in the apparent contradiction between what can be called «the fundamental thesis of empiricism» – a thesis according to which only experience can decide about the truth or falsehood of a scientific statement – and the fact that Hume realized the inadmissibility of inductive arguments.” (Popper, 1985, p. 44). And Fernando Gil would add to the debate the claim that “Experience and Judgment stem from the same point. Experience is «evidence of individual objects» and the evidence of individual objects is «the concept of experience in the broadest sense». (...) Evidence of the individual object and Experience are defined by each other. (...) the realization of the individual is expressed by a power of fascination which involves the function of presentation: here is the secret of the operation of evidence.” (Fernando Gil, 1986, pp. 253/254).

The results achieved by this project indicate that in order to achieve the understanding of the apparently undecidable nature of Heritage it is necessary to consider a different context from those that have so far been used, and that this understanding takes place in the field of the phenomenon of Relevance. Still, we refute the statement that “a supposition is relevant within a context if, and only if, it has some contextual effect in that context” (Sperber & Wilson, 2001, p. 194), since the results indicate that the relevance of heritage does not occur merely in this way – closed in the particular specificity of each social-historic context; or in the material, formal or aesthetical properties of each heritage object. It was possible to demonstrate that the algorithmic reduction of Relevance to codes has enabled the development of increasingly sharper and more effective cognitive capabilities, and as it is possible to encode the heritage value of ‘objects’ the conditions are created to convey it to future generations under the form of codification. Therefore, to be relevant in one context (age) may have an effect in another age and in another context.

That codification process was, at least in part, responsible for the emergence of abduction, analogy, deduction, homology and the remaining capacities inherent to the nine heritage values which were found to exist in that mental map which we call the Heritage Value Structure or Relevance Structure (Manuel-Cardoso, 2010). They are the ones which serve as criteria-instructions to select the objects we regard as ‘heritage’, and endow them with heritage quality. These are the criteria that transform reality and objects into Heritage, and which work to perfect the mind’s ability in that search for Relevance. The management of Relevance during phylogeny, due to the importance which it turns out to have for the adaptive success, has a high probability of being part of an explanation of the origin of cognition itself. Facts indicate that this is a path worth treading in research and in the interpretation of Heritage.

The results of this work also show that, in the case of Heritage, it is not true “that there is no expectation” of human beings managing Relevance in a “balanced and satisfactory” manner, as Dan Sperber and Deirde Wilson claimed (Sperber & Wilson, 2010, p. 240). This hope lies in the heuristics whose existence these same authors acknowledged, “some being innate, others developed through experience” (ibidem), and which in this project we ascertained are coded in mnesis. Arthur Koestler had already called them “rules of the game”, assuming they governed “organic life, in all its manifestations, from morphogenesis to symbolic thought” (Watzlawick et al., 1972, p. 21). Heritage, by resisting the different contexts which have followed one another, and by ceasing to be a mere introspective conjecture, helps to understand human thought and action, and contributes to reinforce the “(...) connection between sciences traditionally oriented to nature and the physical world and the humanities.” (Squire & Kandel, 2002, p.223).

In theoretical terms, one can conclude that the Study of Heritage aims to understand the process which gives reality-existence the quality of heritage through an interpretative model which relates the processes of patrimonization, musealization and memory, the context of which is a permanent fluctuation between Phenomenology and Positivism. In practical terms, this understanding of Heritage leads heritage work to have as objective to obtain a ‘support’ with ‘documents/data’ from the ‘parts of reality-existence considered Relevant’ and access to which through memory-cognition knows no limitations (of space, time, context or otherwise), so as to obtain a possible adaptive advantage. The so-called ‘museum’, ‘library’, ‘archive’, and other similar infrastructures are used to involve some types of heritage in order to manage and preserve them better.

In the path of this line of thinking which has led to that conclusion, the following contributions stand out: i) the contemporary heritage reality was characterized, the consequences of the impact of the Development ideology were identified, and the emergence of the ‘Object-code’, of the ‘Total communication use’ and of the ‘Transformational value’ was established; ii) the factors and variables which characterize heritage as object of knowledge were systematized; iii) the Heritage Value Structure which encodes nine criteria which guide the transformation of reality (objects/documents/uses) in heritage; iv) the manner of identifying the patrimonization process was redefined; v) a process understanding was proposed for the interpretation of heritage; vi) the distinction was made between patrimonization process, musealization process and memory process, and the relation between these three processes was put forward as methodological path to research heritage.” (Pedro Manuel-Cardoso, 2011)

 

 Pedro Manuel-Cardoso





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