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[Histport] Inscrições abertas para SCULPT2021– Conference on Late 19th and early 20th-century Sculpture [online, 7-8 Out, 2021]
Subject :
[Histport] Inscrições abertas para SCULPT2021– Conference on Late 19th and early 20th-century Sculpture [online, 7-8 Out, 2021]
From :
Rui Bordalo <rmbordalo@gmail.com>
Date :
Wed, 15 Sep 2021 22:41:32 +0100
Caros colegas,
Encontram-se abertas as inscrições já estão abertas para SCULPT2021 - Shaping Genealogies - 1st International Conference on Late 19th and early 20th-century Sculpture, a ser realizada on-line de 7 a 8 de outubro de 2021.
As apresentações são variadas, focando diferentes aspectos da escultura, da História da Arte à Documentação e Património Digital, e de Estudos Técnicos e Materiais à Conservação.
Considerando o contínuo interesse internacional por este tema e a sua relevância no contexto internacional, a participação de estudantes e jovens pesquisadores em particular é altamente incentivada.
O programa é o seguinte:
7 de Outubro
Keynote Speaker: Alison Yarrington, Loughborough University-UK
Shaping Sculptural Histories, Mapping Sculpture and Beyond
Geo-SR project: Goals and Outputs
Eduarda Vieira, CITAR, Universidade Católica Portuguesa, Portugal
The transition between 19th and 20th century sculpture
José Guilherme Abreu, CITAR, Universidade Católica Portuguesa, Portugal
Marino Marini and the Community of Exiled Artists in Switzerland during World War II
Nicol Maria Mocchi, Independent researcher, Milan, Italy
Jewish Christ? Aspects of religious and artistic identity in the sculpture of late imperial Russia
Jan Zacharias, The Institute of Art History, Charles University, Czech Republic
Strategies of deconstruction. Adolfo Wildt and his “necromonger empire”
Anatoly Rykov, St. Petersburg University, Russia
History of Art and Materiality in Portuguese Neobaroque Sculpture, from late-Romanticism to modern synthesis
Ana Lourenço Pinto, Faculty of Fine Arts, University of Lisbon, Portugal
Keynote Speaker: Thayer Tolles, Metropolitan Museum of Art, USA
António Soares dos Reis and Augustus Saint-Gaudens: An Artistic Friendship
Technical data and memories of the oldest twentieth-century mouldmaker in Portugal: Manuel Branco (1925 –)
Agnès Le Gac, Faculty of Sciences and Technology, Nova University of Lisbon, Portugal
The "Ephemeral" Foundry on Rua Malmerendas in Porto: History of the First Exclusively Artistic Foundry in Portugal
Pablo General, CITAR, Universidade Católica Portuguesa, Portugal
Who was 'Faiunça'?
Agnès Le Gac, Faculty of Sciences and Technology, Nova University of Lisbon, Portugal
The Head of Legros - Rodin’s Black Patina
Sara Fragoso et al., Faculty of Sciences and Technology, Nova University of Lisbon, Portugal
Immaterial icons? Conserving Constantin Meunier’s sculptures of labor
Davy Depelchin et al., Royal Museums of Fine Arts of Belgium
Xawery Dunikowski and the materials of Polish modernist sculpture
Łukasz Żuchowski, Institute of Art History, University of Warsaw, Poland
Application of Ultrasonic Pulse Velocity for the Condition Assessment of Plaster Sculptures: a preliminary study
António Mário Almeida et al., Minho University, Portugal
8 de Outubro
Keynote Speaker: Laura Castro, Director of Northern Portugal's Regional Directorate of Culture, Portugal
Walls, and pillars – a call for protection. Reflections on sculpture in the museum
Lisbon’s Public Sculptures: Management and Conservation of City Heritage
Frederico Vaz, Municipality of Lisbon, Portugal
Soares dos Reis’ plaster models: technical production and the challenge of the conservation and restoration
Elsa Murta et al., José de Figueiredo Laboratory, DGCP, Lisbon, Portugal
A 3D Potree tool for the technological study of sculpture
Sebastien Clerbois, Université libre de Bruxelles, Belgium
3D digitalization of a collection of plaster sculptures by João da Silva
Frederico Henriques et al., CITAR, Universidade Católica Portuguesa, Portugal
Survey of Watermarks and Paper Types in Soares dos Reis’ Drawings - A Method of Study and Classification
Paula Mesquita Santos, Soares dos Reis National Museum, Porto, Portugal
“O Desterrado” by António Soares dos Reis – biographical notes
Ana Lúcia Teixeira da Silva, Faculty of Fine Arts, University of Porto, Portugal
A Material That “Lends Itself to Fine Interpretations”. The Status Of Plaster In Marino Marini’s Oeuvre
Biancalucia Maglione
University of Florence, Italy
The Cast Gallery of the Ashmolean Museum, Oxford: past, present and future possibilities of archaeological cast collections
Chiara Marabelli, School of Museum Studies, University of Leicester, UK
Re-envisioning criteria for documentation of plaster artist models in museum collections
Elisabeth Manship et al., University of Applied Sciences and Arts of Southern Switzerland
GEO-SR: project website
Rui Bordalo et al., CITAR, Universidade Católica Portuguesa, Portugal
Keynote Speaker: Alison Yarrington, Loughborough University-UK
Shaping Sculptural Histories, Mapping Sculpture and Beyond
Geo-SR project: Goals and Outputs
Eduarda Vieira, CITAR, Universidade Católica Portuguesa, Portugal
The transition between 19th and 20th century sculpture
José Guilherme Abreu, CITAR, Universidade Católica Portuguesa, Portugal
Marino Marini and the Community of Exiled Artists in Switzerland during World War II
Nicol Maria Mocchi, Independent researcher, Milan, Italy
Jewish Christ? Aspects of religious and artistic identity in the sculpture of late imperial Russia
Jan Zacharias, The Institute of Art History, Charles University, Czech Republic
Strategies of deconstruction. Adolfo Wildt and his “necromonger empire”
Anatoly Rykov, St. Petersburg University, Russia
History of Art and Materiality in Portuguese Neobaroque Sculpture, from late-Romanticism to modern synthesis
Ana Lourenço Pinto, Faculty of Fine Arts, University of Lisbon, Portugal
Keynote Speaker: Thayer Tolles, Metropolitan Museum of Art, USA
António Soares dos Reis and Augustus Saint-Gaudens: An Artistic Friendship
Technical data and memories of the oldest twentieth-century mouldmaker in Portugal: Manuel Branco (1925 –)
Agnès Le Gac, Faculty of Sciences and Technology, Nova University of Lisbon, Portugal
The "Ephemeral" Foundry on Rua Malmerendas in Porto: History of the First Exclusively Artistic Foundry in Portugal
Pablo General, CITAR, Universidade Católica Portuguesa, Portugal
Who was 'Faiunça'?
Agnès Le Gac, Faculty of Sciences and Technology, Nova University of Lisbon, Portugal
The Head of Legros - Rodin’s Black Patina
Sara Fragoso et al., Faculty of Sciences and Technology, Nova University of Lisbon, Portugal
Immaterial icons? Conserving Constantin Meunier’s sculptures of labor
Davy Depelchin et al., Royal Museums of Fine Arts of Belgium
Xawery Dunikowski and the materials of Polish modernist sculpture
Łukasz Żuchowski, Institute of Art History, University of Warsaw, Poland
Application of Ultrasonic Pulse Velocity for the Condition Assessment of Plaster Sculptures: a preliminary study
António Mário Almeida et al., Minho University, Portugal
8 de Outubro
Keynote Speaker: Laura Castro, Director of Northern Portugal's Regional Directorate of Culture, Portugal
Walls, and pillars – a call for protection. Reflections on sculpture in the museum
Lisbon’s Public Sculptures: Management and Conservation of City Heritage
Frederico Vaz, Municipality of Lisbon, Portugal
Soares dos Reis’ plaster models: technical production and the challenge of the conservation and restoration
Elsa Murta et al., José de Figueiredo Laboratory, DGCP, Lisbon, Portugal
A 3D Potree tool for the technological study of sculpture
Sebastien Clerbois, Université libre de Bruxelles, Belgium
3D digitalization of a collection of plaster sculptures by João da Silva
Frederico Henriques et al., CITAR, Universidade Católica Portuguesa, Portugal
Survey of Watermarks and Paper Types in Soares dos Reis’ Drawings - A Method of Study and Classification
Paula Mesquita Santos, Soares dos Reis National Museum, Porto, Portugal
“O Desterrado” by António Soares dos Reis – biographical notes
Ana Lúcia Teixeira da Silva, Faculty of Fine Arts, University of Porto, Portugal
A Material That “Lends Itself to Fine Interpretations”. The Status Of Plaster In Marino Marini’s Oeuvre
Biancalucia Maglione
University of Florence, Italy
The Cast Gallery of the Ashmolean Museum, Oxford: past, present and future possibilities of archaeological cast collections
Chiara Marabelli, School of Museum Studies, University of Leicester, UK
Re-envisioning criteria for documentation of plaster artist models in museum collections
Elisabeth Manship et al., University of Applied Sciences and Arts of Southern Switzerland
GEO-SR: project website
Rui Bordalo et al., CITAR, Universidade Católica Portuguesa, Portugal
Para mais informações:
Inscrições- https://artes.porto.ucp.pt/pt/sculpt2021?msite=2
Programa- https://artes.porto.ucp.pt/pt/sculpt2021?msite=3
ou no sítio da conferência: https://artes.porto.ucp.pt/pt/sculpt2021
Com os melhores cumprimentos,
Rui Bordalo, PhD
Researcher
CITAR - Universidade Católica Portuguesa
Porto, Portugal
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