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CONGRESSO DE ORGANOLOGIA | 2015 |
ORGANOLOGICAL CONGRESS International
Scientific Meeting for Sound and Musical Instrument Studies ANIMUSIC -
PORTUGAL 18.19.20/Dezembro|December
: TAVIRA – CALL FOR
PAPERS THEME The
wide capacity for inventing sound tools and music has been a constant human
evolution factor, from regional environments to the application of leading-edge
technology. Modernity does not imply a merging homogeneous reality, nor entails
a comprehensive Western permeation. Musical instruments reflect individuals and
their societies, traditions and quests for novelty, as well as links and differences
between cultures. Some sound objects are endlessly duplicated and common in all
corners of the world while others are rare or even unique. So is each voice. We
believe this meeting to be a good opportunity for bringing to light different
spectra on the importance of musical instruments, sound and music making in
human history. Following
the natural crossroads in Organology, this year’s main theme
is «Creativity in musical instruments, sound and music making». The theme
is the ‘leitmotif’ of the conference and it is not exclusive; participants are
welcome to explore the interdisciplinary essence of Organology and sound
studies, on all topics and techniques relevant to our field. We may add that
performance issues should especially refer to the instruments or sound
producing devices used for the artistic communication, being possible to focus
on the "creativity" of the composer in the use of the particular
instrument/s or sound producing. PARTICIPATION We
accept proposals for papers (15+5mn for questions and handover), panels
(one hour), and posters, as well as lecture-recitals (30 to 40
minutes) and concerts. In addition, participants, namely inventors,
makers and collectors, have the possibility to show a selection of their musical
instruments or designs at the Exhibition. There is also a specific display area
for books, scores, and other items, available during the conference days. The
common language for presentations is English. Papers may be read in Portuguese,
Spanish, French or Italian, provided the PowerPoint projection is in English.
We also accept participation with direct translation in special cases. SUBMISSION We
look forward to abstracts that describe original and technically excellent
research from various perspectives. The title, abstract (in English or
bilingual, of up to 300 words), and a biographical note (up to 100 words)
should be received by email on or before the 1st of October of
2015. The results shall be communicated individually by middle October
after being peer-reviewed by the Scientific Committee. Papers presented at the
Organological Congresses may be submitted for publication in the conference
proceedings. Please
send proposals to congressorg2015.animusic@gmail.com For
further and updated information please check the website www.animusic-portugal.org or
contact us at the email above. CONCERTS The
exquisite art of the Hungarian Organist Gyula Szilágyi will be heard in a
concert (Friday night, 18th of December) and in a lecture-recital (Sunday),
playing on two historical organs, the first at the Igreja de Santiago and the
second at the Igreja da Misericórdia. The famous Pianist Kyoko Hashimoto will
perform on Saturday night, the 19th of December, works from one of her last
recordings, “La danse des B...”, by Bach, Beethoven, Brahms, Blumenfeld and
Bartók. EXTRA-PROGRAM Masterclass of Piano by Professor Kyoko
Hashimoto (Japan/Canada) and Workshop on Historical Flute and Performance by
Professor Michael Lynn ( * NOTE:
This email is sent to you directly for information purpose only – this is not a
mailing list. Please feel free to forward this email to your circles of friends
and colleagues, to whom you think this information may be of interest. Dr.Ing.Giulio Salvadori ANIMUSIC managing director
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